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From Where I Stand

When I started taking my photography more seriously, I used a very simple concept: take a bunch of photos from a single vantage point. Move up, down, and around, but limit your โ€˜centreโ€™ to a single point. This technique forced me to become more inventive, it forced me to carefully consider things that may not grab my attention right away. So rather than photographing a single subject I began to look for other elements that may not be obvious. I also forced myself to make photos in fairly mundane surroundings, looking for interesting elements.

This became the foundation to much of my photography. I spend a lot of time carefully assessing my surroundings and looking for the best compositions.

The โ€˜tagโ€™, From Where I Stand has also made me realize that through all the photos I have made in the past several years, I have borne witness to some pretty amazing things, and I look forward to sharing more of them here, along with the stories of their creation.

Latest Posts


โ€œPassage of Timeโ€ – Guimarรฃes, Portugal

I seem to be on a wave of mono images lately, primarily because the photos Iโ€™m making are more historic and architectural in nature and I find that black and white communicates that better, without the distraction of colour. This passageway is on one of the many winding roads in Guimarรฃes (pronounced Gimaresh),โ€ฆ

โ€œCatedral de Bragaโ€ – Braga

I love this photo. It simply happened. As I sat looking at the columns and really feeling the history. I was travelling with cousins and my cousinโ€™s wife entered the frame. It made for a wonderful memory of a special moment. The cathedral itself was built in 1071 and was consecrated in 1089.โ€ฆ

โ€œPorto After Darkโ€ – Porto, Portugal

Our first night in Porto, exploring backstreets and the quite places. The hustle and bustle fades away, crowds gather along the main avenues for dinners and drinks, the secondary arteries largely forgotten. Yet, it still feels safe. The streets are lined by lesser venues, closed for the night. Silence and dim streetlights dominate.โ€ฆ

โ€œPauseโ€ – Pena Palace, Sintra

Surprisingly, another opportunity for a candid shot presented itself today. I watched this traveller come down from the walls of Sintraโ€™s Pena Palace and sit down for a rest. I imagined the shot, but did not want to be intrusive. I decided that if he sat like this for a longer period thatโ€ฆ

โ€œSenhora de Ruaโ€ – Lisboa

Iโ€™m always observing, but cautious of being intrusive when photographing people in public. This shot just about created itself. As I was sitting in the shade of a tree in Lisbonโ€™s Rossio Square, I could not help but notice this street beggar wandering the square and asking for spare change. One person finallyโ€ฆ

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